Parting Shots: Minor White’s Images of Portland, 1938-1942

Open March 3  – December 23, 2017

Please join us for a series of summer tours of the exhibition Parting Shots. Led by AHC staff, each tour presents a different perspective on the exhibition.

Tours are free for AHC members; tours are included in the $5 museum admission for non-members. Prior registration is not necessary, just drop in! All tours start at noon and run for approximately 45 minutes.

 
 

Up Close with the Artifacts

July 20 and August 9

Learn more about the history of the architectural artifacts that comprise the exhibition, led by Doug Magedanz, AHC Collections Curator. Hear about how some of the fragile artifacts underwent professional conservation prior to their public display and the challenges of installing such large, unwieldy pieces. In particular, Doug will discuss how he and a team of volunteers reconstructed at full scale the 10.5 foot tall wooden fireplace nook from the historic Knapp House.

 

The City through Minor White’s Photographs

July 21 and August 24

White’s photographs depict Portland on the verge of change in the late 1930s and early 1940s. Val Ballestrem, AHC Education Manager, will use White’s images to talk about the evolving cityscape during this period, such as the development of Front Avenue, and also discuss the interesting histories behind particular buildings. You’ll learn which buildings were demolished and why, but also see a few buildings in White’s photographs that survived and still stand today.

Minor White (1908 – 1976) was one of the most important American photographers of the 20th century. Originally from Minnesota, White’s professional career as a photographer began in Portland. Between 1938 – 1942 White was commissioned to document what amounted to the end of an era for some of the city’s most important early architecture. Downtown commercial buildings along and near Front Avenue (now Naito Parkway) were soon to be demolished, while not far away, some of the city’s most opulent 19th-century mansions were also targets of the wrecking ball. Working first with the New Deal-sponsored Oregon Art Project, and later the Portland Art Museum, the images White captured of grand-yet-dilapidated Portland buildings are both beautiful and haunting. They highlight the amazing craftsmanship and artistic merit of architecture from an era that was by that time, considered out of vogue and long past its prime.

The Bosco-Milligan Foundation, in partnership with the Portland Art Museum and the Oregon Historical Society, presents this new exhibit that will, for the first time, combine the photography of Minor White with building artifacts from our collections. Included in the display are artifacts from the Richard B. Knapp House (1882) and the Kamm Block (1884), both of which were photographed in detail by White.

Parting Shots will bring greater focus and attention to White’s career in Portland, while also presenting through physical artifacts, the fine workmanship and materials employed by 19th-century architects and builders. White’s work also prompts us to think about how we should document historic buildings today, especially those at risk of demolition, and the power of the photograph in depicting our architectural heritage.

Digital images for Parting Shots provided by the Portland Art Museum and the Oregon Historical Society. Exhibition support generously provided by The Kinsman Foundation, ESCO Foundation, Rose E. Tucker Charitable Trust, Multnomah County Cultural Coalition, Oregon Cultural Trust, Pacific Power Foundation, the Van Evera and Janet M. Bailey Fund of The Oregon Community Foundation, and Harris S. Matarazzo, Attorney at Law.

 

Minor White photo, Demolition of Opitz Building, SW Pine St. and First Ave., Portland, Oregon, 1939, Oregon Historical Society Research Library, bb013220.